A young 13 year old teen gets kidnapped by Thomas Hewitt aka leatherface and gets tourtured a pice filmed in 2006.Staring Ryan Burt and Sean Usher. From this film I really developed my editing skills, when I was thirteen years old I was a huge fan of director Tobe Hooper and his work like ‘The Texas Chain Saw of Massacre’ and it was basically my first attempt at filming a short film. I comprehended that montage works to huge effect, so I edited a disturbing and fast paced opening monologue to grab the audience’s attention. Then when the film actually starts I learn the most curtail lesson when filming, framing and shot duration. My intention was to film it fast and leave the audience shocked, but when in editing I decided to create the impression of an old exploitation horror film. I wanted to make the audiences hang with the protagonist and watch him hang in a uncomforting pain, so they’re disgusted at the antagonist. This was a horror so i learned to have confidence to leave the audience with a sense of disbelief.
From this film i gained knowledge of how much effect using a non linear narrative has on an audience becuase it makes them use their minds and engage more in the story, as the anonymousness of the narrative creates engima. This was another film where i got to personal and polotically represent a issue or culture. This was about knife crime and how films when misrepresented can warp misunderstanding people and can phsycologically distort and disturb them. I learned the most basic and orginal imagery and ideas work to must sucessful effect. Additionally i found that communication skills come to a abundant advantage when filming, (especially with large groups) I found it hard try to keep the cast and crews moral and sprit up, occasionally humour is the most optimistic technique. When listening to the song ‘If You Were There Beware’ by ‘Arctic Monkeys’ I got the imagery of a circus, that is where the clown came from and I thought it could be a good idea to use to imagery of a clown when breaking the 4th dimension to get the audience more evolved with the horror, therefore they question this characters state of mind. I learnt that contrast is the greatest technique when dealing with an audience, making them feel a number of opposing emotions at once, to make them feel as if they’re being played with. As a director I used contrasting credits to lighten the mood, show characters alive and well and comical out takes.
THE UNFINISHED INTERTWINNING...
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